To this daughter whose loss grieved him so he was specially devoted. She died in North Carolina, at the Warren White Sulphur Springs. At the close of the war, the citizens of the county erected over her grave a handsome monument. General lee was invited to be present at the ceremonies of the unveiling. In his reply, he says:
"...I have always cherished the intention of visiting the tomb of her who never gave me aught but pleasure;... Though absent in person, my heart will be with you, and my sorrow and devotions will be mingled with yours.... I inclose, according to your request, the date of my daughter's birth and the inscription proposed for the monument over her tomb. The latter are the last lines of the hymn which she asked for just before her death."
A visitor to her grave, some years after the war, thus describes it:
"In the beautiful and quiet graveyard near the Springs a plain shaft of native granite marks the grave of this beloved daughter. On one side is cut in the stone, 'Annie C. Lee, daughter of General R. E. Lee and Mary C. Lee'--and on the opposite--'Born at Arlington, June 18, 1839, and died at White Sulphur Springs, Warren County, North Carolina, Oct. 20, 1862.' On another side are the lines selected by her father,
"'Perfect and true are all His ways Whom heaven adores and earth obeys.'"
That autumn I was offered the position of Lt. and A. D. C. on the staff of my brother, W. H. F. Lee, just promoted from the colonelcy of the 9th Virginia Cavalry to the command of a brigade in the same arm of the service. My father had told me when I joined the army to do my whole duty faithfully, not to be rash about volunteering for any service out of my regular line, and always to accept promotion. After consulting him, it was decided that I should take the position offered, and he presented me with a horse and one of his swords. My promotion necessitated my having an honourable discharge as a private, from the ranks, and this I obtained in the proper way from General "Stonewall" Jackson, commanding the corps of which my company was a part, and was thus introduced for the first time to that remarkable man. Having served in his command since my enlistment, I had been seeing him daily. "Old Jack," at a distance, was as familiar to me as one of the battery guns, but I had never met him, and felt much awe at being ushered into his presence. This feeling, however, was groundless, for he was seemingly so much embarrassed by the interview that I really felt sorry for him before he dismissed me with my discharge papers, properly made out and signed.
I had received a letter from my father telling me to come to him as soon as I had gotten my discharge from my company, so I proceeded at once to his headquarters, which were situated near Orange Court House, on a wooded hill just east of the village. I found there the horse which he gave me. She was a daughter of his mare, "Grace Darling," and, though not so handsome as her mother, she inherited many of her good qualities and carried me well until the end of the war and for thirteen years afterward. She was four years old, a solid bay, and never failed me a single day during three years' hard work. The General was on the point of moving his headquarters down to Fredericksburg, some of the army having already gone forward to that city. I think the camp was struck the day after I arrived, and as the General's hands were not yet entirely well, he allowed me, as a great favour, to ride his horse "Traveller." Amongst the soldiers this horse was as well known as was his master. He was a handsome iron-gray with black points--mane and tail very dark--sixteen hands high, and five years old. He was born near the White Sulphur Springs, West Virginia, and attracted the notice of my father when he was in that part of the State in 1861. He was never known to tire, and, though quiet and sensible in general and afraid of nothing, yet if not regularly exercised, he fretted a good deal especially in a crowd of horses. But there can be no better description of this famous horse than the one given by his master. It was dictated to his daughter Agnes at Lexington, Virginia, after the war, in response to some artist who had asked for a description, and was corrected in his own handwriting:
"If I were an artist like you I would draw a true picture of Traveller-- representing his fine proportions, muscular figure, deep chest and short back, strong haunches, flat legs, small head, broad forehead, delicate ears, quick eye, small feet, and black mane and tail. Such a picture would inspire a poet, whose genius could then depict his worth and describe his endurance of toil, hunger, thirst, heat, cold, and the dangers and sufferings through which he passed. He could dilate upon his sagacity and affection, and his invariable response to every wish of his rider. He might even imagine his thoughts, through the long night marches and days of battle through which he has passed. But I am no artist; I can only say he is a Confederate gray. I purchased him in the mountains of Virginia in the autumn of 1861, and he has been my patient follower ever since--to Georgia, the Carolinas, and back to Virginia. He carried me through the Seven Days battle around Richmond, the second Manassas, at Sharpsburg, Fredericksburg, the last day at Chancellorsville, to Pennsylvania, at Gettysburg, and back to the Rappahannock. From the commencement of the campaign in 1864 at Orange, till its close around Petersburg, the saddle was scarcely off his back, as he passed through the fire of the Wilderness, Spottsylvania, Cold Harbour, and across the James River. He was almost in daily requisition in the winter of 1864-65 on the long line of defenses from Chickahominy, north of Richmond, to Hatcher's Run, south of the Appomattox. In the campaign of 1865, he bore me from Petersburg to the final days at Appomattox Court House. You must know the comfort he is to me in my present retirement. He is well supplied with equipments. Two sets have been sent to him from England, one from the ladies of Baltimore, and one was made for him in Richmond; but I think his favourite is the American saddle from St. Louis. Of all his companions in toil, 'Richmond,' 'Brown Roan,' 'Ajax,' and quiet 'Lucy Long,' he is the only one that retained his vigour. The first two expired under their onerous burden, and the last two failed. You can, I am sure, from what I have said, paint his portrait."